Picking the Bones of Modern Rock
Hinder’s “Vultures” comes in hot, full of the bite and bruised attitude that defined their early days. It’s raw and mean in all the right ways, circling back to the
Still Locked and Loaded
38 Special refuses to fade into nostalgia. “So Much So Right” is a reminder that the southern rock vets still know how to write a hook that lands somewhere between
Glam Rock Royalty Meets Guitar God Glory
The Struts teaming up with Brian May for “Could Have Been Me” is like strapping a jet engine to a glitter cannon — gloriously unnecessary and absolutely perfect. Luke Spiller
The Goth Kids Are Dancing Again
The Rasmus’s “Weirdo” feels like a perfectly manicured middle finger to anyone who ever told them to blend in. It’s moody, cinematic, and just catchy enough to make you forget
The Rejects Are Back — and Still Don’t Care What You Think
The All-American Rejects just dropped “Easy Cum Easy Go,” and it’s every bit as irreverent as that title suggests. Tyson Ritter sounds like he’s smirking through the whole thing, dragging
Continue readingThe Rejects Are Back — and Still Don’t Care What You Think
Farewell, But Make It Explosive
Biffy Clyro’s “Goodbye” isn’t a weepy ballad — it’s a power-chord farewell that slaps you across the face before it hugs you. It’s loud, unapologetic, and full of that Scottish-rock
Prog Rock Got Emotional Again
Coheed and Cambria’s “Goodbye Sunshine” sounds like the morning after saving the galaxy — triumphant, exhausted, and just a little heartbroken. It’s got that signature mix of chaos and clarity
The King of Quirk Still Has Questions
David Byrne’s “What Is The Reason For It” is exactly what you’d expect from a man who’s been asking the universe weirdly profound questions since the Reagan era — and
Turning It Up to Eleven (Again)
“Red Rain” by The White Stripes isn’t just a song — it’s a thunderstorm that kicks down your front door. Jack White sounds like he’s been bottling this chaos for
Let’s Take A Spin With Nelly
Nelly featuring Tim McGraw’s latest track is proof that genre lines are more like polite suggestions than actual rules. It’s hip-hop swagger meets country grit — the kind of crossover