The Goth Kids Are Dancing Again
The Rasmus’s “Weirdo” feels like a perfectly manicured middle finger to anyone who ever told them to blend in. It’s moody, cinematic, and just catchy enough to make you forget
The Rejects Are Back — and Still Don’t Care What You Think
The All-American Rejects just dropped “Easy Cum Easy Go,” and it’s every bit as irreverent as that title suggests. Tyson Ritter sounds like he’s smirking through the whole thing, dragging
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Farewell, But Make It Explosive
Biffy Clyro’s “Goodbye” isn’t a weepy ballad — it’s a power-chord farewell that slaps you across the face before it hugs you. It’s loud, unapologetic, and full of that Scottish-rock
Prog Rock Got Emotional Again
Coheed and Cambria’s “Goodbye Sunshine” sounds like the morning after saving the galaxy — triumphant, exhausted, and just a little heartbroken. It’s got that signature mix of chaos and clarity
The King of Quirk Still Has Questions
David Byrne’s “What Is The Reason For It” is exactly what you’d expect from a man who’s been asking the universe weirdly profound questions since the Reagan era — and
Turning It Up to Eleven (Again)
“Red Rain” by The White Stripes isn’t just a song — it’s a thunderstorm that kicks down your front door. Jack White sounds like he’s been bottling this chaos for
Let’s Take A Spin With Nelly
Nelly featuring Tim McGraw’s latest track is proof that genre lines are more like polite suggestions than actual rules. It’s hip-hop swagger meets country grit — the kind of crossover
Michael Schenker Still Shreds While the Rest of Us Check Our Phones
“I CAN’T STAND WAITING” doesn’t just sound urgent — it is urgent. Michael Schenker attacks his guitar like it personally offended him, ripping through riffs that feel equal parts fury
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Richard Ashcroft Still Doesn’t Need Permission to Feel Things
Richard Ashcroft has never been one for half-measures, and “Lovin You” is proof that subtlety is overrated. It’s grand, cinematic, and unapologetically earnest — because when Ashcroft decides to sing
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When Guitar Gods Flirt with Fire
Gary Hoey and Lita Ford teaming up is like lighting a match in a fireworks factory — you know it’s going to explode, you just don’t know which direction the