A Music Experience Company
Some collaborations feel engineered in a boardroom. This one feels like it was born on a deck with sand stuck to the beer bottles. Rick Springfield and Sammy Hagar team
Continue readingIt’s A Party. At Least It Reminds You Of Warmer Days
“Angele” is smoky, cinematic, and perfectly imperfect. MOTT blends grit and grace in equal measure, crafting a song that sounds like love surviving a storm. It’s the kind of track
“Shout Out” feels like a throwback to when soul meant sweat and sincerity. Kenny Thomas brings the groove, the gratitude, and a voice that could still lift a room off
“Glasgow” hums like a barroom confession—rough edges, honest words, and just enough melody to make it hurt. The Mekons never needed polish; they needed truth, and this one bleeds it.
“Heart By Heart” isn’t boy-band nostalgia—it’s Jonas going full grown, wrapping pop sheen around genuine feeling. The voice is stronger, the emotion sharper, and the production smooth as glass. Turns
“Everyday Is Halloween” is Ministry at their most self-aware—industrial grind meets gothic smirk. It’s spooky, sardonic, and still more fun than any costume you’ve ever worn. They don’t do subtle,
“Darkest Lullaby” doesn’t tuck you in—it keeps you awake. Kasabian threads tension through every note, balancing menace with melody like a wire walker above a rave. It’s a gorgeous reminder
“We’re In This Together” isn’t some kumbaya anthem—it’s a fist in the air from a band that refuses to back down. Nothing More takes chaos and turns it into catharsis,
“You Know I Would” proves Gary Hoey doesn’t need lyrics—his guitar speaks fluent emotion. It’s blues, it’s rock, it’s everything your favorite playlist forgot how to feel. Every bend, every
“Run It Back” proves Mario hasn’t lost an ounce of soul—he’s just seasoned it. It’s smooth, swaggering, and laced with that perfect R&B polish that makes you forget time ever